Learn how to form, fabricate, solder, set-stones and more in our 4 wk Metal + Glass course. Metal + Glass courses are offered afternoons and evenings Monday & Wednesday. Ring band & Wedding band workshops, Lost wax casting silver, alloys, etc. Please see below for our current schedule.
METAL + GLASS 4wk: Monday & Wednesday evenings – Learn basic Goldsmithing. 6:30-9:30pm Monday, February 5th $285pp (deposit of $142.50 to reserve seat) More dates listed below.
evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.
evening #2: Making a band ring out of silver (stamp, hammer finish, roller print, etc.)
evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze.
evening #4: Finishing wax projects, invest models for casting in Glass and Metal (separately) Waxes for metal casting are weighed and calculated (sterling runs $2.50/grm unless lab fee has been purchased).
evening #5: Cast moulds in sterling silver or bronze! Remove glass pieces from moulds.
evening #6: Enameling copper projects, forming, how to make your own basic findings.
evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.
evening #8: Finish up projects
No experience necessary!
Copper, wax, glass, and some sterling silver are supplied*. A list of local suppliers is included. Questions concerning this course? Please see our FAQ’s
Approx 4×5” piece of copper sheet, 2’ copper wire, sterling silver for 1 ring band, fine silver bezel wire to set 1 cabochon cut stone. Glass is included for casting/flame-working (whatever method is covered), silver solder to complete class projects, wax, bronze/brass for lost wax casting (20grams) & powdered vitreous enamel, 1 doz saw blades, 1 1mm drill bit, 1 half face particulate respirator, nitrile gloves, refractory materials for casting moulds. Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc.
Additional materials not included: cabochon cut stone(s), sterling silver grain for lost wax castings, sterling silver sheet/plate for setting stones on/constructing other pieces. Sterling silver casting grain may be purchased at $2.50gram.
Massive kit- everything you need to start working in your home/studio. Everything listed in Lab fee 1 and 2 plus!! Studio covers all brokerage/duty/customs fees and shipping for items purchased outside of Ontario & Canada when unable to source locally.
- Flex shaft with #30 hand-piece, foot peddle
- Third Hand
- Half Round Medium Cut File
- AA Fine Tweezers
- 1 set half-round Sanding Sticks
- Ring Mandrel
- Butane Torch
- Dividers 4
- Ring Clamp
- Polishing Cloth
- Needle File Handle
- Locking Tweezers
- Pin Vise
- Soldering Board
- Ball Pein Hammer
- Round Nose Pliers
- Wood Dapping Block & Punches
- Sidecutters 5
- Silver Solder
- Chain Nose Pliers
- Bench Knife
Metal + Glass course dates (Monday + Wednesday evenings):
Lab fees (optional. Please see above for what they include):
Sterling silver Ring band workshop $88pp Saturday afternoon, January 27th noon-3pm
Learn how to properly measure your finger(s), layout your pattern and hand cut, form, forge a sterling silver ring band! Demonstrations on adding textures via hammers, stamping tools, and Rolling Mill add inspiration. Finishing techniques; brush, satin, rustic and high mirror polish and leave the workshop with a beautiful sterling silver ring or set of 3 thin stacking rings*!
Participants learn how to hand saw, add texture, form, solder and finish their rings in this super fun workshop! All materials included. Sterling silver for 1 wide band ring or sterling silver for 3 stacking rings, or a combination of sterling copper and bronze for stacking rings.
Saturday afternoon Jan 27th, 2018 12pm-3pm
Steel stamps, Chasing & Repoussé tools & how to use them! Thursday evenings, March 1st & 8th 6:30pm – 9:30pm and/or April 5th & 19th**
$175 per person, ALL materials included.
Make your own mark! Learn how to create stamping tools for decorative use, and chasing/repoussé tools traditionally used in making dimensional forms/decorations in copper, silver, gold for use in armour, architectural designs, and jewellery.
Students will spend the first evening designing and making their stamps and chasing/repoussé tools. The 2nd evening learning how to use these tools working with a cast iron pitch pot and German pitch. Demonstrations in how to transfer pitch to their pots, transfer designs/images to metal, and through hammering/chasing these images will appear as low relief in the metal. Copper will be used in this workshop. Note: students receive pitch bowl/pitch, copper for projects and a minimum of 12 stamping tools. Students leave the workshop with their copper practice pieces, stamps made from the first evening and the basic knowledge to continue forward. Hammers sold separately, but are available for use during class.
Repoussé is a metalworking technique in which a malleable metal is ornamented or shaped by hammering from the reverse side to create a design in low relief. It is a form of toreutics.
There are few techniques that offer such diversity of expression while still being relatively economical. Chasing is the opposite of repoussé, and the two are used in conjunction to create a finished piece. It is also known as embossing.
While repoussé is used to work on the reverse of the metal to form a raised design on the front, chasing is used to refine the design on the front of the work by sinking the metal. The term chasing is derived from the noun “chase”, which refers to a groove, furrow, channel, or indentation. The adjectival form is “chased work”.
The techniques of repoussé and chasing use the plasticity of metal, forming shapes by degrees. There is no loss of metal in the process as it is stretched locally and the surface remains continuous. The process is relatively slow but a maximum of form is achieved, with one continuous surface of sheet metal of essentially the same thickness. Direct contact of the tools used is usually visible in the result, a condition not always apparent in other techniques, where all evidence of the working method is eliminated. An incredible example from antiquity is the late Eighteenth Dynasty mummy mask of Tutankhamun. The lapis lazuli and other stones were inlaid in chased areas after the height of the form was completed. The majority of the mask was formed using the technique of repoussé from what appears to be a single sheet of gold (the ceremonial beard, Nekhbet vulture, and Uraeus were attached separately).
**Please read our FAQs & policies