Pâte de verre workshops – noon to 3:30, 12 student max. $85pp Sunday, June 18
Participants learn how to fill a pre-made mould of a small bowl with glass paint, glass powder and fine glass -frit-, the moulds are then fired and participants *return to the studio to divest and finish their bowls.
Materials included, no experience necessary!
Students learn the basics of pâte de verre from start to finish while making a thin-walled, kiln formed bowl. Students have access to a broad palette of coloured frit (crushed glass) and samples to help predict and understand fired qualities. Demonstrations include various techniques of working with glass powders against the mold, working with color reactions, as well as how to back-fill a packed mold to support the walls of the piece during firing.
2nd Option:Same workshop only you sculpt your own bowl and learn how to build a refractory mould! This option teaches how to mix refractory materials, differences in mould materials available, working with water based clay to form bowls. Sunday, May 18 noon to 5pm (*return date to be determined during workshop).
CincodeMayo– Professional Activity Day- Pâte de verre workshop
10am to 1:30/2pm, 12 student max. SOLD OUT Special Activity Day price: $85pp
Participants learn how to fill a pre-made mould of a small bowl or skull (think sugar skull), these pieces are then fired and participants return to the studio to divest and finish their pieces.
Materials included, no experience necessary!
Students learn the basics of pâte de verre from start to finish while making a thin-walled, kiln formed bowl or Skull. Students have access to a broad palette of coloured frit (crushed glass) and samples to help predict and understand fired qualities. Demonstrations include various techniques of working with glass powders against the mold, working with color reactions, as well as how to back-fill a packed mold to support the walls of the piece during firing.
Special price for Cinco de Mayo – Professional Activity Day!
Lost wax casting course- sculpt wax, make moulds, cast your objects in Sterling silver* 4 weeks Monday & Wednesday evenings starting July 6:30-9:30pm $550pp No experience necessary! 6 student max. Deposit of $275 to reserve seat
No experience necessary! 6 student max.
Deposit of $275 to reserve seat
In this course students carve/sculpt jeweller’s wax making a ring or a pendant that will be cast in Sterling silver using the Vacuum casting process. Burn out casting will be discussed, and low-tech casting methods will be discussed and demonstrated*.
Students will learn how to make moulds for wax injection/production work. Casting stones in place, such as: diamonds, sapphires, meteorites and certain lab grown stones will be discussed/demonstrated.
The first evening starts with an introduction to various jeweller’s wax, carving tools, subtractive and additive sculpting. Students then discuss their design ideas and begin to carve/sculpt their pieces to be cast.
The second evening demonstrates how to cast organic materials; bone, shell, and wood
Each evening covers a different part of the Lost Wax process into finishing work to a high polish or brushed finish as well as working with patinas.
Various wax for carving and sculpting
Silicone kits for mould making
spiral saw blades
2 ounces of Sterling silver
Cuttlefish bone to try lo-tech casting
List of local suppliers and course handbook
*students wishing to cast in gold will be given supplier information.
Option 1:3hr workshop, $150pp Friday afternoon or evenings January 27th noon-3pm or 5pm-8pm
Participants learn how to fill a pre-made mould of a small bowl or skull (think sugar skull), these pieces are then fired and participants return to the studio to divest and finish their pieces. Materials included, no experience necessary!
Option 2: 10hr workshop, Saturday Feb 10th, 10am-5pm (w/lunch break), 2nd day/evening scheduled during workshop, 3-6pm or 6:30pm-9:30pm $250pp
Students learn the basics of pâte de verre from start to finish while making a thin-walled, kilnformed bowl (med/largish). Students make a plaster silica mold from a model, pack it with glass, fire it, then divest and finish it. Students will have access to a broad palette of colored frit and samples to help predict and understand fired qualities. Demonstrations include various techniques of working with glass powders against the mold, working with color reactions, as well as how to back-fill a packed mold to support the walls of the piece during firing.
Interested in continuing your glass or metal experiments, honing skills or just renting kiln time? Check out our Open Studio link above for further info
Ars Vitraria Experimentalis : kiln casting Sand casting workshop
6 Sessions: Saturday & Sunday afternoons, 1pm – 5pm, Next course starts February TBA 2017 $430 includes materials. This course is perfect for people looking to turn non-glass items into glass, sculpt items out of clay/wax to be cast in glass, incorporate other materials with cast glass (wood, cement, stone, found items, etc). Using the lost wax casting process as well as sand casting, this course covers various mould making techniques. Adding metal inclusions. Packing moulds with glass, casting and annealing cycles, working with alginate, making silicone moulds to replicate pieces. Students will learn how to hand finish pieces; grind, sand, and cut glass. Participants in this class will create original sculptures, while learning the infinite possibilities of Kiln casting and Sand casting. Participants work by recycling glass bottles and casting this glass into sand, create clay models and learn how to build silicone moulds for lost wax castings, etc. No experience necessary! Size max 18cm in any direction. Deposit of $215 required to hold seat.
Students will make silicone moulds from items they wish to cast in glass. Examples: plastic/vinyl toy/action figure, anatomical models or small branch, unusual vegetable/fruit, seed pod. Items could also be modelled from Sculpey clay and fired ahead of attending the workshop. Glass options are discussed.
Students pour multiple waxes from their silicone moulds, refine their wax models (add or subtract). Models are then weighed and various glass options are revisited. Once glass choice is determined pouring gates are added to models and then a silica based refractory mould is built around the wax models. Once moulds set up the wax is then steamed out. Meanwhile, glass is weighed, and cleaned.
Sand Casting (BYOB): Students are asked to bring in 3-4 empty beer bottles. Bottles are cleaned of labels then broken down and melted in a crucible. Simple forms are pressed into sand and the molten glass is slowly poured into these impressions. Glass is then annealed. – further details/instruction given in class.
2 kg of glass
Approx. .9 kg silicon& plastics necessary for mould building (determine if you will need more through the online material calculator)
n95 Particulate respirator
Note: These workshops are messy! Please wear/bring in clothing that can get covered in clay, plaster, water, etc.
Thursday evening’s class sold out, but there’s still a chance to make your own amazing display and learn how to articulate a skeleton! Bat Skeleton Articulation Workshop with guest artist, Wilder Duncan
Saturday afternoon 12pm – 3pm
Honestly, I wouldn’t miss out on this opportunity Toronto! We are excited that Wilder has traveled up to Canada to hold these workshops at nanopod: Hybrid Studio. Wilder is a resident taxidermist with the Morbid Anatomy Museum in Brooklyn and teaches this unusual workshop and skills through the museum as well as at Paxton Gate in San Francisco. We are honoured to have him!
Register online through Paypal using Visa or MasterCard. Take the class with a friend, this workshop also makes an incredible birthday gift!
In this class, students will learn how to create an osteological preparation of a bat in the fashion of 19th century zoological displays. A cleaned bat skeleton (Pipistrellus abramus), a glass dome, branches, glue, tools, and all necessary materials will be provided for each student, but one should feel welcome to bring small feathers, stones, dried flowers, dead insects, natural elements, or any other materials s/he might wish to include in his/her composition. Students will leave the class with a visually striking, fully articulated, “lifelike” bat skeleton posed in a 10″ tall glass dome. The class will focus on teaching ancient methods of specimen preparation that link science with art: students will create compositions involving natural elements and, according to their taste, will compose a traditional Victorian environment or a modern display.
7 seats available, reserve your spot today. Looks like fun!
New workshop dates added! Working with hand tools saw, solder and form ring bands using hammers and special steel stamps then create a bezel setting and set a beautiful cabochon cut stone!
These workshops are being offered as evening and afternoon intensives. Includes all materials: Cabochon is extra* or bring your own! Register for 1 of these workshops under our Metal section in our menu.
What is included in this workshop:
sterling silver for 1 ring band and bezel-cup
Fine silver bezel wire
Copper for practicing and/or overlay designs
*Students need to supply their own cabochon cut stone or purchase one from the studio. Studio cabochon stones range from $25 to $85 per stone. And sizes vary between 10mm to 40mm
Metal- Chain chain chainssss, hinges, gold fused onto silver (keum-bo), settings, working with bronze & silver clay. 1 evening per week, starts up Tuesday, October 27th 6:30-9:30pm 9 weeks – 3 student minimum, 6 student max. $380pp
Make your own handmade chains, construct a hinged locket/box. Fuse gold to silver. Learn basic, hand built prong settings, tab settings, and setting free-form cabs/drusy with Sterling hand-cut bezels. Demonstrations of how to construct rolo, cable chain, woven, and weaving over armatures. Participants will also learn how to construct their own closures, and locking mechanisms. Applying gold to fine silver/sterling silver: participants will add texture to silver via hammers and fuse 24k gold foil onto their designs through Keum-bo. Basic prong settings for faceted stones and cabs and working with bronze clay and silver clay. Materials included:
•Bronze & Silver clay
•Sterling plate 3″x3″ 16 gauge(1.3mm)
•Copper wire (for woven chain practice and armatures)
•Sterling wire (15′ of 19gauge, 6′ half-round 12gauge)
•Choice of 5-8mm faceted stone for prong setting
•Copper & Brass tubing for hinges
•23.5k gold foil for Keum-bo process
•Druzy, crystal cluster or other unusual cut cabochon for sterling bezel setting
•Saw blades: Purchase good saw blades along with Bur life cutting lube. Recommended blades: 2/0-4/0
•High speed steel drill bits: Choose drill bits that fit with your saw blades.