January 2019 Glass workshops:
Advance registration is always a good idea when it comes to ordering colour! 😉
Pate de Verre workshops – Participants learn how to fill a pre-made mould of a small bowl with glass paint, glass powder and fine glass -frit-, the moulds are then fired and participants return to the studio to divest and finish their bowls. $150/pp Materials included, no experience necessary! Weekend workshop: January 5th & 6th, Sat: 12-3pm/Sun: 1pm-4pm
Students learn the basics of pâte de verre from start to finish while making a thin-walled, kiln formed bowl. Students have access to a broad palette of coloured frit (crushed glass) and samples to help predict and understand fired qualities. Demonstrations include various techniques of working with glass powders against the mold, working with color reactions, as well as how to back-fill a packed mold to support the walls of the piece during firing.
This intensive class introduces fundamental concepts of creating glass objects in the kiln either through lost wax casting, Pate de Verre or a combination of the two. Learn the art of lost wax casting glass, and the pate de verre process. From paper thin to thicker lost wax models, adding metal inclusions, and more. Students will learn how to make moulds from existing objects using Alginate and/or silicone, as well as model new ones from clay and wax. Hand built moulds and box moulds will be made with various refractory materials. Students will learn different firing and annealing schedules for casting & pate de verre. Hand cold-working without the need of expensive equipment! No experience necessary!All materials are included. Students are required to bring in their own half-face respirator with particulate filters. Aprons are available for use at the studio, as are all tools and equipment necessary for sculpting, firing and cold working glass, however, students are welcome to bring in their own tools, etc., just make sure your items are marked. kiln casting workshop Size max 18cm in any direction. Day 1: Replication. Students will make silicone or alginate moulds from items they wish to cast in glass. Examples: plastic/vinyl toy/action figure, anatomical models or small branch, unusual vegetable/fruit, seed pod. Items could also be modelled from Sculpey clay and fired ahead of attending the workshop. Glass options are discussed. While the silicone moulds cure, students build a small bowl form out of clay (add texture/details) and from there build a refractory mould, once set-up the clay is removed and students are shown how to apply glass to the mould a la Pate de Verre. Colour samples are also made on this day. Day 2: Wax pouring and hand-built moulds. Students pour multiple waxes from their silicone moulds, refine their wax models (add or subtract). Models are then weighed and various glass options are revisited. Once glass choice is determined pouring gates are added to models and then a silica based refractory mould is built around the wax models. Once moulds set up the wax is then steamed out. Meanwhile, glass is weighed, and cleaned. -Items are cast & annealed over the week. Day 3: De-mould kiln castings/cold working Students remove their kiln cast objects and start the cold working process. Various methods and equipment are discussed and demonstrated. Day 4: Finish cleaning kiln cast objects.
What’s included:1.5 kg of glass, silicone/alginate materials necessary for mould building, Refractory materials, Wax, Nitrile glove, sn95 Particulate respirator, Cold-working consumables
Lab fee (optional): $100 covers Gaffer crystal colours*, Bullseye colours: sheet, billet or coarse frit, metals, & mould kits. Students are emailed concerning glass colour choice, otherwise everyone works with clear glass and coloured frit.
Glass: we will be working with Bullseye glass (clear).
For the Pate de Verre project participants work with clear fine frit, and may add colour through painting onto the mould surface using glass Powders. The studio has a basic colour palette of Bullseye Glass Powders in red, orange, yellow, greens, and blues along with black and white.
1- Pate de Verre- thin walled ‘casting’, open-face mould.
1- Solid kiln cast form, discuss refractory materials, mother moulds, face coats. Venting/gating/sprueing up your wax model.
If you want to work with coloured Bullseye Glass Frits (fine, medium, course, etc for Pate de Verre and/or casting), Billets (casting only) or Gaffer Crystal (Not compatible with Bullseye, only used in solid casting part of course))> that is extra (the Lab fee) and would need to be ordered ahead of the class. This is not mandatory at all, though.
That said, if you are unfamiliar with Bullseye and/or Gaffer glass you of course would ask: …what’s the difference, why would I choose to work with one over the other?
Bullseye glass is made from Soda Lime, and depending on colour various oxides, metals, pigments are added. Gaffer is created similarly however it has a low viscosity at normal casting temperatures and has virtually no tendency to devitrify -at all- at top casting temperatures, nor on its descent in temperature down to the annealing range. Furthermore, its very low viscosity,
and low surface tension at 780-900°C. (1426-1650°F), leads to very good surface definition. This makes it especially suitable for jewelry scale pieces, as well as large work.
Bullseye Glass is offered in various forms: Sheet, billet/cullet, Frit, Rod, stringer, Powder.
Gaffer casting crystal is offered in: Billet, chunky ‘frit’.
There will be items on display at the studio made from both Bullseye and Gaffer.
Links to view glass colours (Frit, Billet), and Gaffer crystal.
Saturday, March 12th noon to 6pm Jackalope shoulder mounts EXPERIENCE LEVEL-Beginner to Intermediate
Limited class size of 8 people, $340pp (4 seats remain) Deposit of $170 required to hold your seat in this workshop
This class will introduce students basic small mammal taxidermy, focusing on the skinning, prepping, and sculpting techniques specific to the face. We will cover splitting lips, thinning noses, turning ears, and other techniques to successfully set a face. Each student is provided with their own specimen which they will skin, flesh, prep, mount, and groom. We will go through the process of carving busts for each mount, how to attach antlers, and will discuss taxidermy techniques that can be used for projects larger and smaller. Carcasses will be used for reference and available to students if they want them. Further preservation processes will be discussed as well; tanning, mummification, wet specimens, bone cleaning, etc. Everything is supplied and students do not need any prior experience for this class. Each student will leave with their own finished piece and the knowledge to create their own in the future.
METAL + GLASS 4wk: Next course starts up Monday, March 14th- runs Monday & Wednesday evenings
Form • Fabricate • Cast • Fuse – Learn basic Goldsmithing – 6:30-9:30pm, 4 weeks, 2 evenings per week. – $285 per person, 6 people max, 3 people min. Deposit of $137.50 to hold space
evening #1: First evening: working with copper-safety, drilling, sawing.
evening #2: Making a band ring out of silver (stamp, hammer finish, roller print, etc.)
evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver.
evening #4: Finishing wax projects, Cuttlefish casting (lo-tech) in house.
evening #5: Kilnworked glass. Fuse several glass pieces (buckle, pendant, cabochon for setting later!).
evening #6: Enameling copper projects, forming, how to make your own basic findings.
evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.
evening #8: Finish up projects
No experience necessary!
Copper, wax, glass, and some sterling silver are supplied*. A list of local suppliers is included. Questions concerning this course? Please see our FAQ’s
What is included:
Sterling silver for 1 ring band
Approx 3″ x 3″ piece of 16 to 18 gauge copper
Solder to complete projects in class
1 dozen 3/0 saw blades
Glass powders/Frit & sheet for Fusing
Bezel wire for 1 setting
Use of tools & equipment
Hollow-forms, lockets, basic prong settings, photo etching and fusing metals
9 weeks, Starting April 5th $380pp includes all materials necessary for projects. Build a hollow-form pendant/ring and construct a locket with hinge and locking mechanism. Learn basic, hand built prong settings, tab settings, and setting free-form cabs. Etching copper/brass and Sterling silver. Working with photos, computer renderings and hand drawn images students will learn various method of applying imagery and working with mordants to etch into metal.
•Sterling plate 3″x 3″ 16 gauge(1.3mm)
•Copper wire (for woven chain practice and armatures)
•Sterling wire & tubing
•Choice of 5-8mm faceted stone for prong setting
•Copper & Brass tubing for hinges
• Consumables: solder, drill bits, emery paper
• Consumables necessary for etching various metals
Students are welcome to bring in their own found items, cabochons, etc., to use in their projects.
Deposit necessary to hold space $190
Intermediate & Advanced soldering
Tips, tricks and technique! Weekend intensive workshop
Friday evening April 1st intro 6:30-8pm, noon to 5pm Saturday and Sunday April 2 & 3rd, 9th & 10th – pricing options below.
-Working with silver solder coupons students will learn sweat soldering, joint soldering, pick soldering
and working with silver solder in wire form.
-Working with a little propane/oxy torch and a larger Hoke torch
– Constructing a hollow-form ring with stakes, hammers and bezel setting a large cab
To cover all of the various soldering techniques/grades students will construct a hollow-form
ring. Large oval or round cabochon stones will be set. Multiple stone settings are optional.
Each day runs 5 hours in length.
Students have the option of coming in to work on their project (lots of sawing!) during Open Studio on Tuesday and Thursday evening between the course.
Evening intro: Course goals/objectives are discussed, students look at soldering demos, inspiration. Start to layout patterns and designs for sawing. 1st Afternoon: Students layout their designs and start sawing them out. Once designs have been sawn out, sanded/filed, cleaned up- sweat soldering designs onto ring blanks begins. 2nd Afternoon: Continuing sweat soldering, forming of ring blanks begins, inner ring is formed. Joint soldering begins (wire solder introduced), students continue truing their rings, forming, and clean-up. 3rd Afternoon: Bezel ‘cups’ are constructed and soldered into place. Filing, sanding and rings are starting to be cleaned. If students are ready to set their stones- quick pendants can be made on this afternoon practising soldering techniques. 4th Afternoon: Rings are ready for patination and polishing, stones are set. Final polish! Early group dinner?
Student’s need to supply (see pricing options below) :
3”x3” 16 or 18 gauge sheet (for hollow-rings)
silver solder 1/4 oz coupons & 1/2oz wire:
Large oval (within 40x25x6mm) or round (within 30mm), high-dome cabochon
For this workshop students have the option of bringing in their own supplies (listed above & mandatory!) or purchasing the course with a ‘kit’ that includes items listed. Please note that these materials will only be purchased when you purchase the ‘Full monty’ option.