2 spots available for Metal + Glass & Steel Stamp workshop

Steel stamps, Chasing & Repoussé tools & how to use them! Thursday evenings, April 12th thru 19th 6:30pm – 9:30pm
$175 per person, ALL materials included.

Make your own mark! Learn how to create stamping tools for decorative use, and chasing/repoussé tools traditionally used in making dimensional forms/decorations in copper, silver, gold for use in armour, architectural designs, and jewellery.
Students will spend the first evening designing and making their stamps and chasing/repoussé tools. The 2nd evening learning how to use these tools working with copper, a cast iron pitch pot and German pitch. Demonstrations in how to transfer pitch to their pots, transfer designs/images to metal, and through hammering/chasing these images will appear as low relief in the metal. Students will also have time to make a simple copper pendant using their decorative stamps made the 1st evening! Copper will be used in this workshop. Note: students receive a pitch bowl/pitch, copper for projects and a minimum of 12 stamping tools. Students leave the workshop with their copper practice pieces, stamps made from the first evening and the basic knowledge to continue forward. Hammers sold separately, but are available for use during class.

Further information can be found here.

 

Learn how to form, fabricate, solder, set-stones and more in our 4 wk Metal + Glass course.

4 week or 8 week course, choose your start-up time below.

metal + glass
Sterling silver lost wax cast forms, vitreous enamel, Kiln formed glass with sandblasted symbols, married metal dome ring sterling silver, brass and copper

Metal + Glass courses are offered evenings Monday & Wednesday.

Metal + Glass 8 week course. April 4th start. 6:30-9:30pm Wednesday evenings. Please see description below. 

8 wk

 

 

 


METAL + GLASS 4wk:  Monday & Wednesday evenings – Learn basic Goldsmithing.  6:30-9:30pm Monday, April 9th  $285pp 

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.

evening #2: Making a ring band out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze.

evening #4: Finishing wax projects, invest models for casting in Glass and Metal (separately) Waxes for metal casting are weighed and calculated (sterling runs $2.50/grm unless lab fee has been purchased).

evening #5: Cast moulds in sterling silver or bronze! Remove glass pieces from moulds.

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects

No experience necessary!

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What’s included:
Approx 4×5” piece of copper sheet, 2’ copper wire, sterling silver for 1 ring band, fine silver bezel wire to set 1 cabochon cut stone. Glass is included for casting/flame-working (whatever method is covered), silver solder to complete class projects, wax, bronze/brass for lost wax casting (20grams) & powdered vitreous enamel, 1 doz saw blades, 1 1mm drill bit, 1 half face particulate respirator, nitrile gloves, refractory materials for casting moulds.  Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc.

Additional materials not included: cabochon cut stone(s), sterling silver grain for lost wax castings, sterling silver sheet/plate for setting stones on/constructing other pieces.  Sterling silver casting grain may be purchased at $2.50gram.

The lab fees offer tools and materials for students to continue projects at home and start setting-up their own studio. Lab fee 2 (kit) Option 2 Please see below class descriptions for what is included in this option.
Lab fee 1 $125.00 (optional) what it includes:
adjustable jeweller’s bench pin, jeweller’s saw frame, 1 gross (144) jeweller’s saw blade assortment, 15 grams of sterling silver casting grain, 1 3×3” sterling silver plate
Lab fee 1

 

 

**Please read our FAQs & policies 

8 week Metal + Glass Course starts up Wednesday, April 4th

Learn how to form, fabricate, solder, set-stones and more in our

Metal + Glass 8 week course. April 4th start. 6:30-9:30pm Wednesday evenings. 

8 wk

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.

evening #2: Making a ring band out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze.

evening #4: Finishing wax projects, invest models for casting in Glass and Metal (separately) Waxes for metal casting are weighed and calculated (sterling runs $2.50/grm unless lab fee has been purchased).

evening #5: Cast moulds in sterling silver or bronze! Remove glass pieces from moulds.

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects

No experience necessary!

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What’s included:
Approx 4×5” piece of copper sheet, 2’ copper wire, sterling silver for 1 ring band, fine silver bezel wire to set 1 cabochon cut stone. Glass is included for casting/flame-working (whatever method is covered), silver solder to complete class projects, wax, bronze/brass for lost wax casting (20grams) & powdered vitreous enamel, 1 doz saw blades, 1 1mm drill bit, 1 half face particulate respirator, nitrile gloves, refractory materials for casting moulds.  Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc.

Additional materials not included: cabochon cut stone(s), sterling silver grain for lost wax castings, sterling silver sheet/plate for setting stones on/constructing other pieces.  Sterling silver casting grain may be purchased at $2.50gram.

The lab fees offer tools and materials for students to continue projects at home and start setting-up their own studio. Lab fee 2 (kit) Option 2 Please visit the Metal Workshops (bottom of page) for what is included in this option.
Lab fee 1 $125.00 (optional) what it includes:
adjustable jeweller’s bench pin, jeweller’s saw frame, 1 gross (144) jeweller’s saw blade assortment, 15 grams of sterling silver casting grain, 1 3×3” sterling silver plate
Lab fee 1

 

 

 

Handmade steel stamps & basic repoussé workshop

fabricating metal
Hand fabricating

Steel stamps, Chasing & Repoussé tools & how to use them! Thursday evenings, April 12th thru 19th 6:30pm – 9:30pm
$175 per person, ALL materials included.

Make your own mark! Learn how to create stamping tools for decorative use, and chasing/repoussé tools traditionally used in making dimensional forms/decorations in copper, silver, gold for use in armour, architectural designs, and jewellery.
Students will spend the first evening designing and making their stamps and chasing/repoussé tools. The 2nd evening learning how to use these tools working with copper, a cast iron pitch pot and German pitch. Demonstrations in how to transfer pitch to their pots, transfer designs/images to metal, and through hammering/chasing these images will appear as low relief in the metal. Students will also have time to make a simple copper pendant using their decorative stamps made the 1st evening! Copper will be used in this workshop. Note: students receive pitch bowl/pitch, copper for projects and a minimum of 12 stamping tools. Students leave the workshop with their copper practice pieces, stamps made from the first evening and the basic knowledge to continue forward. Hammers sold separately, but are available for use during class.

Repoussé is a metalworking technique in which a malleable metal is ornamented or shaped by hammering from the reverse side to create a design in low relief. It is a form of toreutics.

There are few techniques that offer such diversity of expression while still being relatively economical. Chasing is the opposite of repoussé, and the two are used in conjunction to create a finished piece. It is also known as embossing.

While repoussé is used to work on the reverse of the metal to form a raised design on the front, chasing is used to refine the design on the front of the work by sinking the metal. The term chasing is derived from the noun “chase”, which refers to a groove, furrow, channel, or indentation. The adjectival form is “chased work”.

The techniques of repoussé and chasing use the plasticity of metal, forming shapes by degrees. There is no loss of metal in the process as it is stretched locally and the surface remains continuous. The process is relatively slow but a maximum of form is achieved, with one continuous surface of sheet metal of essentially the same thickness. Direct contact of the tools used is usually visible in the result, a condition not always apparent in other techniques, where all evidence of the working method is eliminated. An incredible example from antiquity is the late Eighteenth Dynasty mummy mask of Tutankhamun. The lapis lazuli and other stones were inlaid in chased areas after the height of the form was completed. The majority of the mask was formed using the technique of repoussé from what appears to be a single sheet of gold (the ceremonial beard, Nekhbet vulture, and Uraeus were attached separately).

 

**Please read our FAQs & policies 

Metal + Glass course> overcome the Ides of March! ….April

Learn how to form, fabricate, solder, set-stones and the entire Lost Wax casting process & more in our 4 wk Metal + Glass course.

METAL + GLASS 4wk:  Monday & Wednesday evenings – Learn basic Goldsmithing.  6:30-9:30pm Monday, April 9th  $285pp (deposit of $142.50 to reserve seat)

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.

evening #2: Making a band ring out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze.

evening #4: Finishing wax projects, invest models for casting in Glass and Metal (separately) Waxes for metal casting are weighed and calculated (sterling runs $2.50/grm unless lab fee has been purchased).

evening #5: Cast moulds in sterling silver or bronze! Remove glass pieces from moulds.

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects

No experience necessary!

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What’s included:
Approx 4×5” piece of copper sheet, 2’ copper wire, sterling silver for 1 ring band, fine silver bezel wire to set 1 cabochon cut stone. Glass is included for casting/flame-working (whatever method is covered), silver solder to complete class projects, wax, bronze/brass for lost wax casting (20grams) & powdered vitreous enamel, 1 doz saw blades, 1 1mm drill bit, 1 half face particulate respirator, nitrile gloves, refractory materials for casting moulds.  Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc.

Additional materials not included: cabochon cut stone(s), sterling silver grain for lost wax castings, sterling silver sheet/plate for setting stones on/constructing other pieces.  Sterling silver casting grain may be purchased at $2.50gram.

The lab fees offer tools and materials for students to continue projects at home and start setting-up their own studio.
Lab fee 1 $125.00 (optional) what it includes:
adjustable jeweller’s bench pin, jeweller’s saw frame, 1 gross (144) jeweller’s saw blade assortment, 1 set of high speed drill bits, 15 grams of sterling silver casting grain, 1 3×3” sterling silver plate, 2’ 16gauge sterling wire, 1’ 12gauge sterling wire

 

Make your own mark! Steel stamps, Chasing & Repoussé tools & how to use them! 

fabricating metal
Hand fabricating

Steel stamps, Chasing & Repoussé tools & how to use them! Thursday evenings, March 8th & 15th 6:30pm – 9:30pm and/or April 5th & 19th**
$175 per person, ALL materials included.

Make your own mark! Learn how to create stamping tools for decorative use, and chasing/repoussé tools traditionally used in making dimensional forms/decorations in copper, silver, gold for use in armour, architectural designs, and jewellery.
Students will spend the first evening designing and making their stamps and chasing/repoussé tools. The 2nd evening learning how to use these tools working with copper, a cast iron pitch pot and German pitch. Demonstrations in how to transfer pitch to their pots, transfer designs/images to metal, and through hammering/chasing these images will appear as low relief in the metal. Students will also have time to make a simple copper pendant using their decorative stamps made the 1st evening! Copper will be used in this workshop. Note: students receive pitch bowl/pitch, copper for projects and a minimum of 12 stamping tools. Students leave the workshop with their copper practice pieces, stamps made from the first evening and the basic knowledge to continue forward. Hammers sold separately, but are available for use during class.

Repoussé is a metalworking technique in which a malleable metal is ornamented or shaped by hammering from the reverse side to create a design in low relief. It is a form of toreutics.

There are few techniques that offer such diversity of expression while still being relatively economical. Chasing is the opposite of repoussé, and the two are used in conjunction to create a finished piece. It is also known as embossing.

While repoussé is used to work on the reverse of the metal to form a raised design on the front, chasing is used to refine the design on the front of the work by sinking the metal. The term chasing is derived from the noun “chase”, which refers to a groove, furrow, channel, or indentation. The adjectival form is “chased work”.

The techniques of repoussé and chasing use the plasticity of metal, forming shapes by degrees. There is no loss of metal in the process as it is stretched locally and the surface remains continuous. The process is relatively slow but a maximum of form is achieved, with one continuous surface of sheet metal of essentially the same thickness. Direct contact of the tools used is usually visible in the result, a condition not always apparent in other techniques, where all evidence of the working method is eliminated. An incredible example from antiquity is the late Eighteenth Dynasty mummy mask of Tutankhamun. The lapis lazuli and other stones were inlaid in chased areas after the height of the form was completed. The majority of the mask was formed using the technique of repoussé from what appears to be a single sheet of gold (the ceremonial beard, Nekhbet vulture, and Uraeus were attached separately).

 

**Please read our FAQs & policies 

Holiday stuff!

Happy Holidays! Here are some crazy hours to find us in the studio this week & next.

Wednesday evening, Dec 13 – while we have a workshop taking place, we will be open 4pm-9pm. Thursday, Dec 14/Dec 21st: we are around for Open Studio (6:30pm-9:30pm) and Tuesday afternoon, Dec 19th 12-6pm

then…. give us a shout via email if you would like to pop-by and grab a Tardigrade pendant, or Gift certificate

We now accept Debit at the studio! And, as usual Visa/Mastercard, Cash or eTransfers.

Thank you for your support and shopping local!

Lost wax casting in our Metal + Glass course!

 Learn how to form, fabricate, solder, set-stones and more in our 4 wk Metal + Glass course. Metal + Glass courses are offered evenings Monday & Wednesday. Now this 4wk course includes lost wax casting in situ! The entire process included in our $285/pp course. This deal expires January 2018- register soon!

METAL + GLASS 4wk:  Monday & Wednesday evenings – Learn basic Goldsmithing.  6:30-9:30pm Monday, November 6th $285pp (deposit of $142.50 to reserve seat)

 

 

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.

evening #2: Making a band ring out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze.

evening #4: Finishing wax projects, invest models for casting in Glass and Metal (separately) Waxes for metal casting are weighed and calculated (sterling runs $2/grm unless lab fee has been purchased).

evening #5: Cast moulds in sterling silver or bronze! Remove glass pieces from moulds.

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects

No experience necessary!

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What is included (asterisk shows what’s included with option lab fee): 

Approx 3″ x 3″ piece of 16 to 18 gauge copper & *16 ga Sterling silver sheet & wire/15 gr casting grain

Sterling silver for 1 ring band, approx 60mm in length and 1.5mm thick (6mm wide)

Wax

Solder

1 dozen 3/0 saw blades, *1 gross selection of Jeweller’s saw blades

Glass powders/Frit & sheet for Fusing *Approximately 1kg of Lead crystal towards a lost wax casting.

Bezel wire for 1 setting

Use of tools & equipment *Bench pin and saw frame to take home

Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc. However there is a small selection of stones for students to choose from.


Monday Nov 6th  6:30-9:30pm (deposit of $142.50 to reserve seat)

 

 


Optional Lab Fee (includes items above with *): $125

 

 

Fall SciArt workshops in Toronto

Some of our workshops are offered annually! So, if you are interested in learning something entirely new,

now just might be the time. (scroll down for more!)

Bat Skeleton Articulation workshops 

Workshops are taking place at the T.E.S.T gallery space 906 Queen st West • Toronto 

Reserve your seats with a deposit of $135 (class fee $270)  

In this class, students will learn how to create an osteological preparation of a bat in the fashion of 19th century zoological displays. A cleaned bat skeleton (Pipistrellus abramus), a glass dome, branches, glue, tools, and all necessary materials will be provided for each student, but one should feel welcome to bring small feathers, stones, dried flowers, dead insects, natural elements, or any other materials s/he might wish to include in his/her composition. Students will leave the class with a visually striking, fully articulated, “lifelike” bat skeleton posed in a 10″ tall glass dome. The class will focus on teaching ancient methods of specimen preparation that link science with art: students will create compositions involving natural elements and, according to their taste, will compose a traditional Victorian environment or a modern display.

Thursday evening, Oct 12th start time 6:30pm

 


Saturday Afternoon, Oct 14th start time 12pm 

 


Sunday Afternoon, Oct 15th start time 12pm

 


Dia De Los Muertos Sugar Skull Making Workshops!

October 28 & 29th come and decorate sugar skulls for Halloween and our                      Day of the Dead ofrenda!  $20pp 13yrs on up! $10 per child 12 – 5yrs*

Adult Oct 28
Adult Oct 29

Everyone is welcome to join the fun! Learn how to make and decorate Mexican sugar skulls. Learn about Dia de los Muertos festivities and the Ofrenda. How to construct sugar skulls and animals will be demonstrated. Adding foils, paper flowers & icing flowers will be demonstrated. Participants will then decorate their sugar skulls using Royal icing, metallic foils and more!  Fun for the whole family!  Workshops start at 12pm Saturday and Sunday. Green chile/corn tamales, tacos, chips & various salsas, churros, horchata and more (so, don’t eat lunch beforehand!) * children 12 & under must be accompanied by an adult.

Child Oct 28
Child Oct 29

 

 

 



Everyone can participate and put something either traditional or symbolic on the altar. The altar is where people can express their feelings for those loved ones being honoured. Americans (and non-Catholics) are beginning to adopt this tradition and now altars are becoming popular in private homes as well as in public places.  In Mexico, the traditional family altar explodes with colour during Day of the Dead when many special items are set out as offerings to the returning spirits. The entire family will work together in the decoration; similar to families who decorate their Christmas tree together. Many families spend up to two month’s earnings on the food & decorations for their ofrendas.

Frida & Elvis sugar skulls made by Rio Valdez

Halloween may be on Oct. 31, but there’s another spooky date on the calendar directly after: “Dia de los Muertos.”  -from ibtimes.com

Now celebrated in countries around the world, Dia de los Muertos, or “Day of the Dead,” is a two-day holiday which originated in Mexico to remember deceased loved ones. It’s a Mexican national holiday and the country’s largest celebration of the year, but Dia de los Muertos extends well beyond to Guatemala, Brazil, Spain and Mexican-American communities in the United States.

The observance is Nov. 1 and 2, coinciding with the Catholic All Saints’ Day and All Souls’ Day. Typically, the two-day celebration is divided into separate days to honor deceased youth, Dia de los Inocentes (Day of the Innocents) or Dia de los Angelitos (Day of the Little Angels) on Nov. 1, and adults for Dia de los Muertos on Nov. 2. In some beliefs, it is a three-day holiday beginning on Oct. 31, All Hallows Eve, when some believe the souls of young children arise at midnight.

Not to be confused with Halloween, this holiday has a rich history and involves more than dressing up in costumes or trick-or-treating.

On Dia de los Muertos, families gather to celebrate those who have died as well as build altars in their homes, schools or other public places to pay homage to the deceased. Many honor the dead with gifts of sugar skulls, chocolate, marigolds (the Mexican flower of death), sweetbreads and trinkets. Families also typically visit graves to deliver the ofrendas, or “offerings,” and hold vigils with candles and photos.

Dia de los Muertos can be traced back to the Aztecs who celebrated with a festival for the goddess of the underworld, Mictecacihuatl, and the Catholic Spanish conquistadors’ All Saints’ and All Souls’ days. Scholars have noted the indigenous cultures of Mexico honor the Lady of the Dead, the modern La Catrina, which many recognize today as a skeleton woman wearing a fancy hat.


Glass Kiln forming workshop  Nov 3, 4 & 5, 11th  or Monday afternoons noon-5pm Oct 16th-Nov 6th & November 13-Dec 4th $300pp+(optional) lab fee  This intensive class introduces fundamental concepts of creating glass objects in the kiln either through lost wax casting, Pate de Verre or a combination of the two. 1st Friday evening overview demonstrates the Vitrigraph kiln/flameworking cane/murrine.  Students will learn kiln forming towards making window pieces, bowls/plates, sculptural, wearable items and more! Students work with Bullseye glass, frit/powder, rod and stringer OR have the option (casting only) with gorgeous Gaffer crystal.
No experience with glass is required for this course.
Friday evening 6:30-9:30pm: Introduction/demonstration of vitrigraph kiln and flame working cane/murrini for use in kiln forming glass.
Saturday afternoon (noon to 6pm): Students have the opportunity of hand pulling cane/murrini at the torch. Students build models from clay, wax patterns, moulds using alginate and more, set-up the kiln for kiln forming/casting/pate de verre.
Sunday afternoon  (noon-5pm): Students learn how to work with refractory materials to hand-build moulds, mother moulds, weigh for glass. Models are steamed out of moulds and set-up in the kiln(s).
Saturday afternoon (noon to 5pm): Students return to de-invest their models, cold work their glass by hand.
Lab fee (optional): $100 covers Gaffer crystal colours*, metals, & expendables
Students are emailed concerning glass colour choice, otherwise everyone works with clear glass.

btn_buynow_LG

Please leave your start-up date choice in a  note when registering or email the studio.

flame working
Flame-working

Flame ON!Next workshop starts Tuesday evenings Nov  14th 6:30-9:30pm  $130pp includes materials- Class runs 3 evenings.
This workshop introduces students to the basics of mandrel-wound (soft) glass beadmaking by the process of flameworking (lampworking) shaping glass at a bench-mounted, surface-mix oxygen/propane torch. Safety is discussed, tools, terminology of glass, and process. Each student will have access to a torch and will melt and form glass using a variety of hand tools.This is the chance to experience working molten glass! While not a “product-oriented” workshop, there will be plenty of time for students to make a small, but satisfying batch of colourful beads, which are annealed overnight after each workshop, and cleaned before the start of the next class.  Class fee includes all materials
No experience necessary!btn_buynow_LG Ages 12 on up are welcome!



Oct-November Lost wax casting metal or glass. Kiln-forming glass. Ring band & Flame-working classes & more!

Glass Kiln forming workshop  Nov 3, 4 & 5, 11th $300pp+(optional) lab fee  This intensive class introduces fundamental concepts of creating glass objects in the kiln either through lost wax casting, Pate de Verre or a combination of the two. 1st Friday evening overview demonstrates the Vitrigraph kiln/flameworking cane/murrine.  Students will learn kiln forming towards making window pieces, bowls/plates, sculptural, wearable items and more! Students work with Bullseye glass, frit/powder, rod and stringer OR have the option (casting only) with gorgeous Gaffer crystal.    No experience with glass is required for this course.
Friday evening 6:30-9:30pm: Introduction/demonstration of vitrigraph kiln and flame working cane/murrini for use in kiln forming glass.
Saturday afternoon (noon to 6pm): Students have the opportunity of hand pulling cane/murrini at the torch. Students build models from clay, wax patterns, moulds using alginate and more, set-up the kiln for kiln forming/casting/pate de verre.
Sunday afternoon  (noon-5pm): Students learn how to work with refractory materials to hand-build moulds, mother moulds, weigh for glass. Models are steamed out of moulds and set-up in the kiln(s).
Saturday afternoon (noon to 5pm): Students return to de-invest their models, cold work their glass by hand.
Lab fee (optional): $100 covers Gaffer crystal colours*, metals, & expendables
Students are emailed concerning glass colour choice, otherwise everyone works with clear glass.

btn_buynow_LG


flame working
Flame-working

Flame ON!Next workshop starts Tuesday evenings Nov  14th 6:30-9:30pm  $130pp includes materials-

 Class runs 3 evenings.
This workshop introduces students to the basics of mandrel-wound (soft) glass beadmaking by the process of flameworking (lampworking) shaping glass at a bench-mounted, surface-mix oxygen/propane torch. Safety is discussed, tools, terminology of glass, and process. Each student will have access to a torch and will melt and form glass using a variety of hand tools.This is the chance to experience working molten glass! While not a “product-oriented” workshop, there will be plenty of time for students to make a small, but satisfying batch of colourful beads, which are annealed overnight after each workshop, and cleaned before the start of the next class.  Class fee includes all materials
No experience necessary!btn_buynow_LG Ages 12 on up are welcome!



 Learn how to form, fabricate, solder, set-stones and more in our 4 wk Metal + Glass course. Metal + Glass courses are offered afternoons and evenings Monday & Wednesday. Ring band & Wedding band workshops, Lost wax casting silver, alloys, etc. Please see below for our current schedule.

METAL + GLASS 4wk:  Monday & Wednesday evenings – Learn basic Goldsmithing.  6:30-9:30pm Next course starts-up Monday, Oct 2nd or Monday, November 6th $275pp (deposit of $137.50 to reserve seat)

 

 

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.

evening #2: Making a band ring out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze/brass.

evening #4: Finishing wax projects, Cuttlefish casting (lo-tech) in house.

evening #5: Kilnworked glass. Fuse several glass pieces (buckle, pendant, cabochon for setting later!).

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects

No experience necessary!

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What is included: 

Approx 3″ x 3″ piece of 16 to 18 gauge copper & *16 ga Sterling silver sheet & wire/15 gr casting grain

Sterling silver for 1 ring band, approx 60mm in length and 1.5mm thick (6mm wide)

Wax

Solder

1 dozen 3/0 saw blades, *1 gross selection of Jeweller’s saw blades

Glass powders/Frit & sheet for Fusing *Approximately 1kg of Lead crystal towards a lost wax casting.

Bezel wire for 1 setting

Use of tools & equipment *Bench pin and saw frame to take home

Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc. However there is a small selection of stones for students to choose from.


Monday October 2nd or Nov 6th  6:30-9:30pm (deposit of $137.50 to reserve seat) Please leave a Paypal note concerning the start date you prefer, or email the studio.

 

 


Optional Lab Fee (includes items above with *): $125

 

 



screen-shot-2017-02-09-at-12-16-36-pmLost wax casting course- sculpt wax, make moulds, cast your objects in Sterling silver* 4 weeks Tuesday evenings starting October 10th 6:30-9:30pm $350pp No experience necessary! 6 student max. Deposit of $175 to reserve seat deposit_button

In this course students carve/sculpt jeweller’s wax making a ring or a pendant that will be cast in Sterling silver and/or bronze. Burn out casting will be discussed, and low-tech casting methods will be discussed and demonstrated. Students will learn how to make moulds for wax injection/production work. Casting stones in place, such as: diamonds, sapphires, meteorites and certain lab grown stones will be discussed/demonstrated. The first evening starts with an introduction to various jeweller’s wax, carving tools, subtractive and additive sculpting. Students then discuss their design ideas and begin to carve/sculpt their pieces to be cast. The second evening discusses how to cast organic materials; bone, shell, or wood. Each evening covers a different part of the Lost Wax process into finishing work to a high polish or brushed finish as well as working with patinas.

14k red gold ring
14k red gold ring

What’s included:

Various wax for carving and sculpting

spiral saw blades

Nitrile gloves

Particulate masks

2 ounces of Sterling silver

*students wishing to cast in gold will be given supplier information.

Casting organic materials will be discussed. Some items may be ‘burnt out’ within a casting flask, while others require moulds to be made. Casting various stones in place is discussed and some stones will be available for students to experiment with.

 

Sterling silver lost wax cast crab claws
Sterling silver lost wax cast crab claws

Ring band workshops

Sterling silver Ring band workshops taking place Thursday evening, October 19th $88pp

Learn how to properly measure your finger(s), layout your pattern and hand cut, form, forge a sterling silver ring band! Demonstrations on adding textures via hammers, stamping tools, and Rolling Mill add inspiration. Finishing techniques; brush, satin, rustic and high mirror polish and leave the workshop with a beautiful sterling silver ring or set of 3 thin stacking rings*!

Participants learn how to hand saw, add texture, form, solder and finish their rings in this super fun workshop! All materials included. Sterling silver for 1 wide band ring or sterling silver for 3 stacking rings, or a combination of sterling copper and bronze for stacking rings.

Thursday evening Oct 19 6:30-9:30pm 

 


Please read our FAQs & policies 

 

Metal + Glass 25% off regular course fee – register today Toronto

 Learn how to form, fabricate, solder, set-stones and more in our 4 wk Metal + Glass course. Metal + Glass courses are offered afternoons and evenings Monday & Wednesday.


METAL + GLASS 4wk:  Monday & Wednesday evenings – Learn basic Goldsmithing.  6:30-9:30pm Next course starts-up Monday July 31st RECEIVE 25% off $275 regular price. 

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.

evening #2: Making a band ring out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze/brass.

evening #4: Finishing wax projects, Cuttlefish casting (lo-tech) in house.

evening #5: Kilnworked glass. Fuse several glass pieces (buckle, pendant, cabochon for setting later!).

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects

No experience necessary!

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What is included: 

Approx 3″ x 3″ piece of 16 to 18 gauge copper & *16 ga Sterling silver sheet & wire/15 gr casting grain

Sterling silver for 1 ring band, approx 60mm in length and 1.5mm thick (6mm wide)

Wax

Solder

1 dozen 3/0 saw blades, *1 gross selection of Jeweller’s saw blades

Glass powders/Frit & sheet for Fusing *Approximately 1kg of Lead crystal towards a lost wax casting.

Bezel wire for 1 setting

Use of tools & equipment *Bench pin and saw frame to take home

Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc. However there is a small selection of stones for students to choose from.


July 31st ($275pp) 6:30pm-9:30pm 4 seats remain July 25th 11am

July 31st start-up 25% discount at checkout

 

 


Optional Lab Fee (includes items above with *): $125