Metal & Glass & Vitrigraph!

Learn how to form, fabricate, solder, set-stones in our 4 wk Metal + Glass course, etch, cast and more!

Metal + Glass 4-week course Starts up August 13th – 8 evenings. Monday & Wednesday 6:30-9:30pm $285/pp Pay in full or put down a deposit.

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.evening #2: Making a ring band out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver* or bronze.

evening #4: Finishing wax projects, invest models for casting in Glass and Metal (separately) Waxes for metal casting are weighed and calculated (*sterling runs $2.50/grm. Lab fee includes 15grams of sterling silver casting grain). Lo-tech casting with Cuttlefish bone.

evening #5: Cast moulds in sterling silver or bronze! Remove glass pieces from moulds.

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects


No experience necessary!

 

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What’s included:
Approx 4×5” piece of copper sheet, 2’ copper wire, sterling silver for 1 ring band, fine silver bezel wire to set 1 cabochon cut stone. Glass is included for casting/flame-working (whatever method is covered), silver solder to complete class projects, wax, bronze/brass for lost wax casting (20grams) & powdered vitreous enamel, 1 doz saw blades, 1 1mm drill bit, 1 half face particulate respirator, nitrile gloves, refractory materials for casting moulds.  Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc.

Additional materials not included: cabochon cut stone(s), sterling silver grain for lost wax castings, sterling silver sheet/plate for setting stones on/constructing other pieces.  Sterling silver casting grain may be purchased at $2.50gram.

The lab fees offer tools and materials for students to continue projects at home and start setting-up their own studio. Lab fee 2 (kit) Option 2 Please see below class descriptions for what is included in this option.
Lab fee 1 $125.00 (optional) what it includes:
adjustable jeweller’s bench pin, jeweller’s saw frame, 1 gross (144) jeweller’s saw blade assortment, 15 grams of sterling silver casting grain, 1 3×3” sterling silver plate
Lab fee 1

 

 

 

Vitrigraph workshop: Pulling cane and murrini making tiles and bowls. Saturday & Sunday August 18/19/25/26  $350 pp includes all materials, instruction, firing/slumping times. 10am – 5pm (break for lunch at 1pm). Deposit of half accepted via eTransfer to nanotopia@me.com

Working with Bullseye crucibles and glass students learn how to cut glass and set it up for the Vitrigraph kiln. Working in teams students assist each other in pulling their cane/murrini and shapes. Students cut-up, slice and design their tiles/plates. Work is then fused over the week. Students can then slump their tiles into bowl forms. Students will learn how to make their own slumping forms using various refractory materials. 

Update to Flame-Working demo: Wednesday evening. Please RSVP if you plan to attend.

Due to unexpected events over the long weekend, I have had to move the Flame-working demos to Wednesday evening. Please RSVP IF you plan to attend: nanotopia@me.com

Want to check out what Flame-Working is all about? Wednesday evening, May 23rd  7pm demonstrations will be held in mandrel-wound glass bead making. Afterward, visitors are invited to try making a bead (or 2, depending on popularity). Beads made this evening can be picked up the following Open Studio (which takes place Thursday, May 24th).

flame working
Flame-working

Evening demonstrations introduce the basics of mandrel-wound glass bead making by the process of flameworking (lampworking) shaping glass at a bench-mounted, surface-mix oxygen/propane torch. Safety is discussed, various tools used for shaping, sculpting, and how to clean up your beads after they’ve annealed.

Annealing temperatures are explained and covered.

Sonatona Gemstones visiting Nanopod Studio Monday May 7

Super exciting news! Pop on over to the studio tomorrow evening Monday, May 7th  between 7pm – 8pm Sonatona gemstones will be in da Haus! Sonatona is bringing along a wide selection of cabochon cut stones for you to drool over.

Everyone is welcome!  Students and non-nano students.  Cash or credit accepted. 

8 week Metal + Glass Course starts up Wednesday, April 4th

Learn how to form, fabricate, solder, set-stones and more in our

Metal + Glass 8 week course. April 4th start. 6:30-9:30pm Wednesday evenings. 

8 wk

evening #1: First evening: working with copper: safety, drilling, sawing. Adding textures.

evening #2: Making a ring band out of silver (stamp, hammer finish, roller print, etc.)

evening #3: Working with wax create pieces w/the lost wax technique- to be cast in Sterling silver or bronze.

evening #4: Finishing wax projects, invest models for casting in Glass and Metal (separately) Waxes for metal casting are weighed and calculated (sterling runs $2.50/grm unless lab fee has been purchased).

evening #5: Cast moulds in sterling silver or bronze! Remove glass pieces from moulds.

evening #6: Enameling copper projects, forming, how to make your own basic findings.

evening #7: Bezel settings cabochon stones or fossils or crystals, or an enamelled or Fused glass piece.

evening #8: Finish up projects

No experience necessary!

Copper, wax, glass, and some sterling silver are supplied*.  A list of local suppliers is included.   Questions concerning this course? Please see our FAQ’s

What’s included:
Approx 4×5” piece of copper sheet, 2’ copper wire, sterling silver for 1 ring band, fine silver bezel wire to set 1 cabochon cut stone. Glass is included for casting/flame-working (whatever method is covered), silver solder to complete class projects, wax, bronze/brass for lost wax casting (20grams) & powdered vitreous enamel, 1 doz saw blades, 1 1mm drill bit, 1 half face particulate respirator, nitrile gloves, refractory materials for casting moulds.  Students are encouraged to supply their own cabochon cut stones, crystals, rocks, etc.

Additional materials not included: cabochon cut stone(s), sterling silver grain for lost wax castings, sterling silver sheet/plate for setting stones on/constructing other pieces.  Sterling silver casting grain may be purchased at $2.50gram.

The lab fees offer tools and materials for students to continue projects at home and start setting-up their own studio. Lab fee 2 (kit) Option 2 Please visit the Metal Workshops (bottom of page) for what is included in this option.
Lab fee 1 $125.00 (optional) what it includes:
adjustable jeweller’s bench pin, jeweller’s saw frame, 1 gross (144) jeweller’s saw blade assortment, 15 grams of sterling silver casting grain, 1 3×3” sterling silver plate
Lab fee 1

 

 

 

Handmade steel stamps & basic repoussé workshop

fabricating metal
Hand fabricating

Steel stamps, Chasing & Repoussé tools & how to use them! Thursday evenings, April 12th thru 19th 6:30pm – 9:30pm
$175 per person, ALL materials included.

Make your own mark! Learn how to create stamping tools for decorative use, and chasing/repoussé tools traditionally used in making dimensional forms/decorations in copper, silver, gold for use in armour, architectural designs, and jewellery.
Students will spend the first evening designing and making their stamps and chasing/repoussé tools. The 2nd evening learning how to use these tools working with copper, a cast iron pitch pot and German pitch. Demonstrations in how to transfer pitch to their pots, transfer designs/images to metal, and through hammering/chasing these images will appear as low relief in the metal. Students will also have time to make a simple copper pendant using their decorative stamps made the 1st evening! Copper will be used in this workshop. Note: students receive pitch bowl/pitch, copper for projects and a minimum of 12 stamping tools. Students leave the workshop with their copper practice pieces, stamps made from the first evening and the basic knowledge to continue forward. Hammers sold separately, but are available for use during class.

Repoussé is a metalworking technique in which a malleable metal is ornamented or shaped by hammering from the reverse side to create a design in low relief. It is a form of toreutics.

There are few techniques that offer such diversity of expression while still being relatively economical. Chasing is the opposite of repoussé, and the two are used in conjunction to create a finished piece. It is also known as embossing.

While repoussé is used to work on the reverse of the metal to form a raised design on the front, chasing is used to refine the design on the front of the work by sinking the metal. The term chasing is derived from the noun “chase”, which refers to a groove, furrow, channel, or indentation. The adjectival form is “chased work”.

The techniques of repoussé and chasing use the plasticity of metal, forming shapes by degrees. There is no loss of metal in the process as it is stretched locally and the surface remains continuous. The process is relatively slow but a maximum of form is achieved, with one continuous surface of sheet metal of essentially the same thickness. Direct contact of the tools used is usually visible in the result, a condition not always apparent in other techniques, where all evidence of the working method is eliminated. An incredible example from antiquity is the late Eighteenth Dynasty mummy mask of Tutankhamun. The lapis lazuli and other stones were inlaid in chased areas after the height of the form was completed. The majority of the mask was formed using the technique of repoussé from what appears to be a single sheet of gold (the ceremonial beard, Nekhbet vulture, and Uraeus were attached separately).

 

**Please read our FAQs & policies 

Open Studio demos starting March 29th- please note date change!

Want to check out what Flame-Working is all about? Thursday evening, March 29th 7pm demonstrations will be held in mandrel-wound glass bead making. Afterwards visitors are invited to try making a bead (or 2, depending on popularity). Beads made this evening can be picked up the following Open Studio.

flame working
Flame-working

Evening demonstrations introduce the basics of mandrel-wound glass beadmaking by the process of flameworking (lampworking) shaping glass at a bench-mounted, surface-mix oxygen/propane torch. Safety is discussed, tools, terminology of glass, and process.

Make your own mark! Steel stamps, Chasing & Repoussé tools & how to use them! 

fabricating metal
Hand fabricating

Steel stamps, Chasing & Repoussé tools & how to use them! Thursday evenings, March 8th & 15th 6:30pm – 9:30pm and/or April 5th & 19th**
$175 per person, ALL materials included.

Make your own mark! Learn how to create stamping tools for decorative use, and chasing/repoussé tools traditionally used in making dimensional forms/decorations in copper, silver, gold for use in armour, architectural designs, and jewellery.
Students will spend the first evening designing and making their stamps and chasing/repoussé tools. The 2nd evening learning how to use these tools working with copper, a cast iron pitch pot and German pitch. Demonstrations in how to transfer pitch to their pots, transfer designs/images to metal, and through hammering/chasing these images will appear as low relief in the metal. Students will also have time to make a simple copper pendant using their decorative stamps made the 1st evening! Copper will be used in this workshop. Note: students receive pitch bowl/pitch, copper for projects and a minimum of 12 stamping tools. Students leave the workshop with their copper practice pieces, stamps made from the first evening and the basic knowledge to continue forward. Hammers sold separately, but are available for use during class.

Repoussé is a metalworking technique in which a malleable metal is ornamented or shaped by hammering from the reverse side to create a design in low relief. It is a form of toreutics.

There are few techniques that offer such diversity of expression while still being relatively economical. Chasing is the opposite of repoussé, and the two are used in conjunction to create a finished piece. It is also known as embossing.

While repoussé is used to work on the reverse of the metal to form a raised design on the front, chasing is used to refine the design on the front of the work by sinking the metal. The term chasing is derived from the noun “chase”, which refers to a groove, furrow, channel, or indentation. The adjectival form is “chased work”.

The techniques of repoussé and chasing use the plasticity of metal, forming shapes by degrees. There is no loss of metal in the process as it is stretched locally and the surface remains continuous. The process is relatively slow but a maximum of form is achieved, with one continuous surface of sheet metal of essentially the same thickness. Direct contact of the tools used is usually visible in the result, a condition not always apparent in other techniques, where all evidence of the working method is eliminated. An incredible example from antiquity is the late Eighteenth Dynasty mummy mask of Tutankhamun. The lapis lazuli and other stones were inlaid in chased areas after the height of the form was completed. The majority of the mask was formed using the technique of repoussé from what appears to be a single sheet of gold (the ceremonial beard, Nekhbet vulture, and Uraeus were attached separately).

 

**Please read our FAQs & policies 

Open Studio time and Bench Rental and/or Studio share

Looking for an affordable studio space in Toronto where you can work on your metal and glass related projects? This might be the space for you! Come by Thursday evenings after 7pm to see if the studio is what you’re looking for and/or email your questions to: nanotopia@me.com

Open studio nights are a perfect time to visit the studio and meet other members. If you have a small project you would like to work on or ask for help with you are welcome to bring it in.

Thursdays 7pm – 9pm  If it is your first time we recommend coming later in the evening, from 8pm – 9pm.



Nano-members have access to tools and equipment (kiln rental is extra). Members have access to the studio facilities Thursday evenings 7-10pm and Sunday afternoons 12pm-5pm** membership costs $75/month (**IMPORTANT: reopening January 18th, 2018 -check updates for Winter hours or email the studio in advance.)

Purchase membership online or via eTransfer: ($77.47 will be charged to cover Paypal fees) 

 


Starting March 1st 2018 the studio will offer 24/7 shared space/time aka Studio share-holder ‘membership’.  Sound interesting? Email us for further info/set-up an appointment. 

Nanopod studio share-holders are the people collectively responsible for running and maintaining the space. Studio share-holders have 24/7 access to the space via key fob, and help determine how the space is operated: the people who schedule OS time and run the space as well as use it. Studio share-holders get priority use of the space, as well as free or significantly reduced price classes and workshops. Studio share-holders (OCAD/GB students: think Ultra Bench Rental) pay $350/month (tax included).
Please note that prior to 24/7 access via key fob it is suggested that artists/makers purchase monthly studio time. This way we all see if the studio space is a good fit plus, we get to know each other!  Some responsibilities of Studio share-holders includes: 
Be available for Open Studio time 1 Thursday evening and 1 Sunday afternoon per month (schedules are discussed monthly).
Studio share-holders commit to 4/6mo with post-dated cheques or recurring eTransfer payments (1st/last up front).
Make sure all shared tools/equipment are kept organized and in working order.
**Studio share-holders do not need to offer workshops/courses.


Materials and consumables are not included in Open Studio time – you need to supply your own saw blades, solder, drill bits, wax, metal, enamel powders, stones, etc. Assistance/guidance is included, however you need to know what you are doing and how to properly/safely operate equipment, tools, and torches. If you are unfamiliar with some of the industrial/dangerous (chop off fingers, burn off your scalp equipment we suggest taking a beginning workshop or 4wk course). Orientations on how to operate our kilns needs to be booked in advance of kiln use please.

January Ring Band workshop!

Sterling silver Ring band workshop $88pp   Saturday afternoon, January 27th noon-3pm  

Learn how to properly measure your finger(s), layout your pattern and hand cut, form, forge a sterling silver ring band! Demonstrations on adding textures via hammers, stamping tools, and Rolling Mill add inspiration. Finishing techniques; brush, satin, rustic and high mirror polish and leave the workshop with a beautiful sterling silver ring or set of 3 thin stacking rings*!

Participants learn how to hand saw, add texture, form, solder and finish their rings in this super fun workshop! All materials included. Sterling silver for 1 wide band ring or sterling silver for 3 stacking rings, or a combination of sterling copper and bronze for stacking rings.

Saturday afternoon Jan 27th, 2018 12pm-3pm

 

Working with high tech plastics, Saturday Oct 21st at Toronto Etsy Street Team Gallery

Join Jay Saturday, October 21st at the Toronto Etsy Street Team Gallery space for a workshop in organically forming Thermoplastics! $155/pp
This material has incredible potential. A high tech material used in the medical industry, this form of Thermoplastic is just now being explored by artists/makers looking for a new material that can yield fairly instant organic shapes, sculptural forms. It can be spray painted, brush painted
sewn/wired onto other materials, cut, rolled. Worked into weavings, paintings, jewellery, sculpture, and unique headwear.

No experience necessary, all materials included!  This workshop is being held at the Toronto Etsy Street Team Gallery 906 Queen Street West

Jay started her millinery journey in the London College of Fashion in 2004. She also trained with Rose Cory, Royal Milliner to the late Queen Mother. With a great passion for millinery, Jaycow has travelled the world attending millinery events; The International Millinery Forum, Hats of to
Melbourne, Hats off to Brisbane and Millinery Meet Up to learn from well known, experienced milliners.
Considered a pioneer of millinery in Hong Kong, introducing the craft of bespoke
millinery to the Hong Kong fashion scene in 2005. Jay was one of very few milliners to work in Hong Kong, creating bespoke hats for a city where one might not expect to find so many millinery enthusiasts. Such an unusual profession in an unexpected city meant that Jay achieved a kind of industry status as the go-to person for hats. Her designs have crowned the heads of famous pop music icons,
actors, socialites, brides and fashionistas in Hong Kong, Japan, USA, China and the UK.
Now based in Toronto, Jay enjoys sharing her knowledge and experience with other like-minded enthusiasts through special workshops.
She has taught workshops in Hong Kong, USA, Australia and China and now here in Toronto!